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1Q84 (Vintage International)-Haruki Murakami,Jay Rubin,Philip Gabriel

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“Murakami is like a magician who explains what he’s doing as he performs the trick and still makes you believe he has supernatural powers . . . But while anyone can tell a story that resembles a dream, it's the rare artist, like this one, who can make us feel that we are dreaming it ourselves.” —The New York Times Book Review The year is 1984 and the city is Tokyo.A young woman named Aomame follows a taxi driver’s enigmatic suggestion and begins to notice puzzling discrepancies in the world around her. She has entered, she realizes, a parallel existence, which she calls 1Q84 —“Q is for ‘question mark.’ A world that bears a question.” Meanwhile, an aspiring writer named Tengo takes on a suspect ghostwriting project. He becomes so wrapped up with the work and its unusual author that, soon, his previously placid life begins to come unraveled. As Aomame’s and Tengo’s narratives converge over the course of this single year, we learn of the profound and tangled connections that bind them ever closer: a beautiful, dyslexic teenage girl with a unique vision; a mysterious religious cult that instigated a shoot-out with the metropolitan police; a reclusive, wealthy dowager who runs a shelter for abused women; a hideously ugly private investigator; a mild-mannered yet ruthlessly efficient bodyguard; and a peculiarly insistent television-fee collector.A love story, a mystery, a fantasy, a novel of self-discovery, a dystopia to rival George Orwell’s—1Q84 is Haruki Murakami’s most ambitious undertaking yet: an instant best seller in his native Japan, and a tremendous feat of imagination from one of our most revered contemporary writers.

Book 1Q84 (Vintage International) Review :



Very original story. However, it is way too long and a lot of the things (such as the “little people”, and the “voice”) are not only never explained but would not have made a difference if they never existed. These and so many other things amount for nothing in the plot.I guess it’s all about a big metaphor but it wasn’t clear to me.The writing is ok. I didn’t feel anything for the characters. Some things sound very clunky but probably has something to do with the translation (such as the continue use of the phrase “an increase in the number of moons” which sounds really weird).Many times the writing is extremely redundant. For example, I get it that Tengo had a hard time with his dad, but the author has to constantly remind us that fact in such cliche and cringy ways which feels so forced. Many of this things were also just things repeated over and over again with no additional information.Very original story. Probably could’ve been done, in my opinion, in less than 200 pages as opposed to 900+. Bland characters, clunky writing, and massive plot holes.
This is the first book I have read by Murakami.I loved it. I listened to much of it via the audiobook on Audible, which was done excellently with collaborating voice actors. If I was only reading the book, without slipping into the audiobook when on the road, I think this may have been more difficult to get through.Strange. Surreal. Hilarious. Weird sex scenes likely not to be found in other books. Cults. Questioning reality.The audiobook included an interview with the two translators that worked on 1Q84 english translation. Strangely, one of them worked on the first two parts while the other worked on part three. Both of them worked alone, without collaboration by the sounds of it. Seems fitting for this weird story. I honestly couldn't tell in the audiobook, but perhaps I would have noticed a slight style difference if I was only reading it myself? Without the assistance of the voice actors persisting across all parts?Definitely keeping a copy of it on my bookshelf, and I highly recommend the audiobook is one wants to experience another element to the storytelling. I've purchased a few of his other books that I'll need to read through next.

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